Showing posts with label Cynthia Leitich Smith. Show all posts
Showing posts with label Cynthia Leitich Smith. Show all posts

Friday, September 9, 2011

Last of The Varying Shade of Shadow issue

This week the Varying Shade of Shadows issue comes to a close with the much anticipated, In Defense of YA, a round up of YA reader and writer voices that comment on the Wall Street Journal pieces by Megan Cox Gurdon that lit up the twittersphere with the creation of #YAsaves in June. By now, much has been written about in reaction to the question Darkness Too Visible? but here at Hunger Mountain we care not only what we writers think, we care about what the readers think. The teen readers. YA is after all for young adults. What they think matters. Thank you to the teens who took time out of their summer vacation plans to lend their voices, their intellect, and their wit to join with YA authors everywhere who tackle darkness, light, and everything in between.
  
 Our issue also closes with a sneak peak into the much anticipated historical novel Jefferson’s Sons by Kimberly Brubaker Bradley, as well as a Toolbox piece, Searching for Truth in History’s Shadows: Finding the Characters in Jefferson’s Sons , also by Kimberly Brubaker Bradley.




Congratulations are also in order for Hunger Mountain Young Adult & Children’s Assistant Editor E. Kristen Morse, who along with Miranda Kenneally, whose popular website DearTeenMe, will now be an anthology, with new and original content, forthcoming from Zest Books in 2012. Since coming on board here at Hunger Mountain Emily’s expertise and enthusiasm is much appreciated. We wish her and Dear Teen Me, the book, every success.

And don’t forget our next issue, The Art & Insanity of Creativity is coming soon. We are still accepting fiction submissions. Please see here, for guidelines.






Earlier content from The Varying Shade of Shadows issue. 


Our industry is not just about the writing but about the illustration as well, from books for the very young to teens and beyond. We at Hunger Mountain are thrilled to champion the illustration and ingenuity that goes on in our field by featuring three sneak-peeks into books that are soon to hit the shelves.  Award-winning illustrator Betsy Lewin offers a snapshot into creating The Little Bitty Bakery by Leslie Muir. This delectable treat will leave you wanting more…look for The Little Bitty Bakery to be released August 30th. Author/illustrator Don Tate takes us into his Austin studio with his piece Toot Toot Tootie Toot: an Illustrator Captures Duke Ellington’s Nutcracker Suite, detailing his choices and art-in-progress for his October release.  And New York Times bestselling author Cynthia Leitich Smith in her piece, Going Graphic, details how she and illustrator Ming Doyle created the visual world for her characters to inhabit, in the eagerly awaited Tantalize: Kieren’s Story.  Fans of the gothic series will not be disappointed.



When, Along with her Characters, an Author Gets In Trouble by Ellen Levine, describes running into a wall of silence with her latest book, In Trouble.  The Monsters in Us All, by Dr. Ilsa J. Bick is a precursor to Hunger Mountain’s In Defense of YA.  We chose to spotlight Ilsa J. Bick’s thoughtful but cutting response  now as she not only disagrees with Megan Cox Gurdon—she also agrees, with certain points, that is. As always, please feel free to weigh in in the comments section of each piece.

For What My Last Book Taught Me, Monika Schröder advises us to Learn to Drive in the Dark as she takes a trip back to discover what her latest novel, My Brother’s Shadow, taught her as a writer.  Lastly, as all the world is a stage, we offer Jest A Minute, which pokes fun at all the dark/light publishing hullabaloo, with a list of Ten Classics Revamped to Capitalize on the Dark  YA Trend (created by none other than moi) and a second list–of Ten New Titles to Please All by author and humorist K. A. Holt.  Read, respond, enjoy!

Also check out This Writer’s Life: The Politics of Story by Neesha Meminger author of Shine, Coconut Moon and Jazz in Love. Neesha explores and argues, with great clarity, how writing fiction is and always will be a political act. In our Industry Insider we host a Q & A with Anita Silvey, author, children’s literature scholar and the creator of the popular Children’s Book-a-Day Almanac.  We also add to our growing list of new fiction with Quarry, a short story by Kevin Waltman that captures the delight and danger in a trip to a forbidden place.

Don’t miss a timely FlipSide, The Light and the Dark of It, highlighting Jennifer Ziegler’s Let There Be Light and Clare Dunkle’s On the Dark Side. Both authors had their pieces well in the works before the June 4th Wall Street Journal article by Meghan Cox Gurdon asked the question: Is Darkness Too Visible?.  Also be sure to check out new fiction: Stone Field, a re-imagining of Wuthering Heights, by Christy Lenzi;  Starcatcher, a unique fantasy by Penny Blublaugh author of Blood & FlowersMonsters, a surprising and raw read by Jennifer Hubbard;  The Proposal, fiction by Lindsey Lane that dives deep into the hiddenness of our human natures and our desires to be both safe and loved.

You can also read earlier features: an exploration of self and sisterhood by Janet Gurtler in Embracing Shadows;  also  In the Half-Light, an essay detailing the shadowy subconscious that aided Hunger Mountain Sneak Peek author Joe Lunievicz in creating his debut novel, Open Wounds (WestSide Books, 2011); the wickedly smart investigation into the use of elision by Janet Fox in The Shadowy Landscape of Dreams Where Reader and Writer Meet. Our Industry Insider Column offers an interview with Elena Mechlin and Joan Slattery in New Faces at Pippin Properties. Be sure to check out the instructive Toolbox piece, Where the Teens Are: 5 Ways to Freshen Up YA Fiction’s Favorite Places from Deborah Halverson, author of the newly released, Writing Young Adult Fiction For Dummies, and the In Response essay to the Passion for the Picture Book special feature by the outstanding author Liz Garton Scanlon.



So, please stop back often.  Read, respond, share your thoughts, delight in the darkness and luxuriate in the light. They both offer respite and reward. Go ahead, see for yourselves.




Best,
Bethany Hegedus, Editor

Monday, August 22, 2011

Back to School, Back to Blogging

So, today was back to school day here in Austin. And, I figured that was a good time to get back to blogging. I meant to only be away for a month (Sorry, those who have interviews scheduled with me. I shall be posting them soon!) and I had pre-blogged. 

I was in Maui for much of June and early July. Rough, right? I know. My fiancĂ© had a conference he was hosting at one of the area hotels and we stayed there for two weeks and then spent two weeks in Paia, this funky little hippy town. While there I let myself decompress from the work-a-day world and made my transition into the write-a-day world. I kept up with my editorial duties at Hunger Mountain, and with the work of my one-on-one students, but I took time to breathe again. 

To be Bethany again. 



To explore. To laze on the beach. 

To sip cocktails and read, read, read and write, write, write.


Each day new words found me. I jotted them all down. A week before leaving I had 40 pages down and usually that is the time I take those pages, those mountains of words, and I hit delete. I had found my characters a bit and now I could start again. I could begin.

 Strangely, or not so strangely really, two days before leaving Maui I realized the manuscript I was writing would be a beach book. A summer vacation story which would bring my two MCs to Maui the summer’s after Sophomore year, Junior year, and Senior year. I have always loved beach books and walking through airports have purchased Dorthea Benton Frank and Elin Hildebrand for years (though I can’t read a Nicolas Sparks book I can partake of the movies made from them). I never—never—thought I would write my own beach book.  Those that know me well know that I hate summer. Since I was a kid I felt like summer fun is prescribed and is supposed to be a prescription for all that has ailed ye all year long. Summer fun by definition is giddy and outdoorsy. I am not giddy or outdoorsy. Maui opened me up to see another side of summer—and another side of me. The sunsets, the sunrises, the people, the tropical flowers and afternoon showers all created this opening in me. An opening to do what I wanted—write, watch locals collect seaweed, walk on the beach, hear music, play with kids in the water—splashing and doing tricks. It took me away from myself. From my year round concerns and healed the overworked, treadmill part of me. 


When I arrived back in Austin, about a month ago now, I didn’t find it hard to write but I did find myself resisting blogging. I love to blog. I do. But I needed time for my story to come first. I am now at 100 pages in my RD and feel grounded in where I may be headed. I have been missing blogging. Missing adding my voice to the kid lit conversation. Missing trumpeting the horn of my fellow writers and all their accomplishments. I have missed the in-depth interviews and have some fabulous ones I shall be posting in the weeks to come. I now miss the outer world as much as I missed my inner world before my time away. So, thanks for having me back! 


Next week I will begin a month (or more long) series on Adventures While Teaching, using thoughts I garnered from reading Roger Rosenblatt’s Unless It Moves the Human Heart: The Craft and Art of Writing.


Look for, later this week, the In Defense of YA Round-Up that was promised to readers back when the whole WSJ brouhaha began in June, as well as a Toolbox piece by Kimberly Brubaker Bradley and a sneak-peak into her new novel, Jefferson’s Sons. 


We are still accepting fiction for the fall issue: The Art & Insanity of Creativity. See here to submit and to see guidelines: http://www.hungermtn.org/submit/
The Katherine Paterson Prize has closed (though there is always next year so start polishing those submissions) and the judging is going on now. Who will NBA winner Kimberly Willis Holt choose as the 1k winner??? Keep a look out. 


2012 Winter and Spring Themes to be announced soon as well as those pieces from 2011 that have been selected to be a part of the annual print edition, which will be on sale in bookstores and sent to Hunger Mountain subscribers.

In Awesome Austin, a round up of the summer awesomeness.
Since I last posted two incredible Austin authors have welcomed wee ones (and this time I mean babies—not books). Congrats to Varian and Crystal Johnson on the arrival of Savannah Parker and to Mari Mancussi Beach and Jacob Beach on the arrival of Avalon. 



Get ready for Chronal Engine by Greg Leitich Smith. I have seen some of the cover art and interiors for his 2012 release and this time-traveling dinosaur book is going to knock you out. 

Greg, Vanessa Lee and Jenny Moss pour over a Chronal Engine slideshow


Congrats to Jeannette Larson’s Hummingbirds: Facts and Folklore of the Americas illustrated by Adrienne Yorinks being chosen to represent Texas in the National Book Festival. 
 

Three cheers for Tantalize: Kieren’s Story, a new graphic novel by Cynthia Leitich Smith and illustrated by Ming Doyle which releases tomorrow. To get a peak into Cynthia’s process of turning her best-selling novel into a graphic novel with new content see her Hunger Mountain article Going Graphic.  

The Austin Statesman this weekend featured a review of Calli by Jessica Lee Anderson, calling the book: “finely wrought, with emotional twists that will absorb your teen reader.” (14 and up) To see an interview with Jessica, head on over to Carmen Oliver’s blog  and read their in-depth Calli chat. To read a chapter from Jessica’s work-in-progress, check out the Hunger Mountain archives and read Finding Bigfoot.

A big whoo-hoo for the Writer’s League of Texas 2011 Children’s Book Award Finalists:  


Shark Vs. Train by Chris Barton, A Million Shades of Gray by Cynthia Kadohata, Holler Loudly by Cynthia Leitich Smith, Pop! The Invention of Bubble Gum by Meghan McCarthy, Betti on the High Wire by Lisa Railsback, and Crossing the Tracks by Barbara Stuber.

And triple woo-hoos for Austinites Cynthia Leitich Smith, Lisa Railsback, and Chris Barton


E. Kristin Anderson, Jennifer Ziegler, moi, and Holly Green
I attended the Keep Austen Weird celebration for Austin author Jennifer Ziegler’s new release Sass & Serendipity. Plenty of fun was had by all and with my long gown I won the award as the Most Serendipitous. And for all you Jennifer Ziegler fans go vote for Sass & Serendipity at Justine magazine as your favorite summer read. Vote here. Or read her Hunger Mountain essay, Let There Be Light on the writing of the novel and how Jane Austen influenced her and her work. 


Big rah-rahs for Austinites Shelli Cornelison and Donna Bowman Bratton for signing with Red Fox Literary. See Kathy Teman’s wonderful interview with the folks at Red Fox.


Solstice, the new e-book, by PJ Hoover continues to sizzle this summer. Check out:





 and



I may have missed someone’s accolade (sorry if I did) so don’t miss the Austin SCBWI website where Debbie Gonzales is always celebrating the Austin kid lit writing community’s successes. 

For the Calendar 

Don't miss the Austin Teen Book Festival, Oct. 1st. 
or The Texas Book Festival Oct. 22-23rd.

Friday, May 27, 2011

Weekly Round Up--For Those of Us Not at BEA

The temps in Austin climbed to 105 earlier this week. Yikes, it was hot. But, over at the Writing Barn we can now stay cool as we check on the daily progress. The french doors have arrived and the AC had long been installed. We cooled the place down last night and took a couple of new pics. 

instructor apartment/guest bedroom      
Kitchen with loft area above. Stove gets installed today.  

Instructor/guest bathroom    

French doors with inner blinds.
By next week, we have some of the furniture in (my comfy love seat and overstuffed chair from my apartment) and the books in the bookshelves--should the cement floor get painted this weekend in the main area of the barn. There still will be a screened porch to come where the horse stalls were but much, much progress has been made!


In the Wider World

Another week has come and gone and with it some good news: BEA is winding down in NYC, a  Dear Teen Me post from Cynthia Leitich Smith (geektastic!), the blog tour of The Grand Plan to Fix Everything by Uma Krishnaswami--and some sad--the death of author/librarian Bridget Zinn. I never met Bridget Zinn but I know those who have. A group of Austin authors were writing yesterday and Jenny Moss shared a picture of Bridget holding a beautiful colorful umbrella. She looked like a thirty-something on her way to school for the first day. When I got home the PW Children's Bookshelf had arrived in my inbox and I read a tribute to Bridget by her agent and friend, Michael Sterns. If you haven't already, read it--hug someone you love--and countdown the days until Bridget's novel Poison is released.  

Bridget and her writing group--with colorful umbrella.



Friday, May 6, 2011

A Few Weeks in Review--So-So-SOLD!

I am finally sitting down to do a Friday round up. I love them but I've been so busy that my Friday reflection time has been nil. So, today we are going to catch up with a few weeks at once.

Liz Garton Scanlon's release party for Noodle & Lou--a book in ode to an unlikely friendship--was fabulous. There were dirt cups, door prizes, and a full read aloud. Don't believe me? Here are the pics to prove it!








S0-SO-SOLD

Then last week there was the exciting news that Awesome Austin Cynthia Leitich Smith has a new three book deal. Go, Cyn!


 

And that P. J. Hoover has a front list release going straight to e-book. Cheers for P.J. and Solstice!





This week brought a two book deal for debut author Nikki Loftin! From Publisher's Lunch:

Nikki Loftin’s debut novel THE SINISTER SWEETNESS OF SPLENDID ACADEMY, pitched as Coraline meets Hansel and Gretel, about a young girl whose seemingly delightful new school hides frightening secrets, to Laura Arnold at Razorbill, in a two-book deal, for publication in Summer 2012, by Suzie Townsend at Fineprint Literary Management (World).

And, Brian Yansky just sold a follow-up novel to Alien Invasion And Other Inconveniences! From PL:

Brian Yansky's FIGHTING ALIEN NATION, the sequel to ALIEN INVASION AND OTHER INCONVENIENCES, which continues the story of the survivors of an alien invasion, again to Candlewick, with Kaylan Adair to edit, by Sara Crowe at Harvey Klinger (world English).



Ah, now wonder we call Austin awesome! Cheers to the latest bunch of books that will see the shelves! But, we here in Austin know process comes first--way before celebration of product--so cheers to all the work that went into these projects and to all those who are working away on a WIP right now.


Hungry for Hunger Mountain

Right now the Hunger Mountain e-bay auction is going strong. See here for a list of Kid Lit authors and agents participating and then go bid!

What's up and coming for summer? The Various Shade of Shadows is! Check out a sneak peak and see the summer list of contributors here.

And though the summer issue line-up is full, HM is accepting pieces for the Fall 2011 issue. The Art (& Insanity) of Creativity. For more on that issue and how to submit, go here.

Dive in to Diversity!

I had a fab time participating in the #yalit chat the other night with those of us on the Diversity in YA tour. This Monday 5/9 the tour stops in Austin. Come out to BookPeople and join us for what will be a lively conversation.

ReachOut Reads
A reminder--May is Mental Health Awareness Month and over at ReachOut Reads live author chats are happening each week in May! I will be moderating the 5/12 Author chat with Matthew Quick and the 5/16 chat with Joe Luniecivz. Librarians and teachers share the word with teens!

That's all--for now!

Monday, May 2, 2011

The Beginning: Or as Nike Advertises: Just Do It.



 The Art & Insanity of Creativity is the theme for the fall issue of Hunger Mountain, so here on my blog, I am going to spend May and June reading and thinking about art: how we create it, why we create it, and what are the blocks (fears, worries, concerns) that stand in our way. 
I am a new reader of the seminal book Art & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles & Ted Orland. How and why I never picked up this book before a few months back, I don’t know; but I am a firm believer that when the time is right the book will find me. Or perhaps when I am ready I will find the book.  So here I sit with Art & Fear in hand.
The opening of Art & Fear outlines a few assumptions about the artistic life. These are creeds I wholeheartedly believe in:

1.       Artmaking involves skills that can be learned.
Ah, so going to grad school to learn story structure had a point.  So does the building of the Writing Barn where I will soon be teaching and inviting other novelists to come share their work and wisdom.  So does the reading of blogs and writing my Reading Like a Writer essays.  Writing is a constant and consistent study and the study yields constant and consistent rewards.

2.       Art is made by ordinary people.
Oh, I love this one. It reminds me of the Anne Lamott quote, “Plumbers don’t get plumbers block.” The ordinary is extraordinary. That is what observation, which all art making involves, is.

3.       Making art and viewing art are different at their core.
So, this is why “to all viewers but yourself, what matters is the product: the finished artwork. To you, and you alone, what matters is the process : the experience of shaping that artwork. “ And Bayles and Orland even go on to add, “The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your  artwork that soars.” 

I agree. I throw away pages, I do major revisions, I turn picture books into novels and I take my time—ten years from inception of idea to the “final product” of a book is not uncommon for me and it is also not something I am ashamed of. Art takes it’s time. Even when I forget and I want to rush and just get it done and off my plate so I can move on to the next thing or have the semi-momentary feeling of acceptance surge though my veins art is there always to remind me:  take your time, don’t rush, go deeper, be more honest, did you hit the wall yet?, did you breakthrough? Did you learn something new?  Did you allow yourself to where you needed to be?—angry, distraught, frustrated, hopeful, encouraged, devastated. Process is about processing and process is introspective, alarming, uncomfortable but it is ultimately freeing. 

4.       Artmaking has been around longer than the art establishment.
This is why in the Passion for the Picture Book piece that I did for Hunger Mountain has two wonderful writers, and wonderful friends—Kathi Appelt and Cynthia Leitich Smith—going back to the cave paintings as the beginnings of where art and text began to merge to tell one whole new  and newly complete story.

Beginning with the drawings on cave walls, humans have been pairing story and art for as long as we’ve been standing upright.  When we read a picture book in its current form, a “package” of illustrated pages and text, bound between covers, we’re experiencing not only the story in front of us, but we’re also sharing that long human legacy of storytelling that includes two dimensional art.


We all begin with the language of images. We all began that way as babes in arms. We all began that way as members of the human family, starting with the earliest cave drawings. Perhaps even before those. The picture book builds on that early, almost instinctive, visual literacy and fosters our vocabulary, introduces concepts, and nurtures emotional bandwidth. Moreover, the picture book does all this while entertaining, informing, and delighting readers of all ages.


I loved reading these two quotes from those two fine writers and seeing the similarities there—that both reinforce that art began before the art establishment did whose intention is to judge, to quantify, to declare something “dead” or “over.” Artmaking for the sake of self-expression (an essential component to sanity) is reason enough. It is where all art begins.

Thursday, March 31, 2011

Hunger Mountain, Young Adult & Children's--Submission Call

Calling Children’s Authors and Illustrators
2011 Submissions Needs for Hunger Mountain Young Adult and Children’s page.




The Hunger Mountain Children’s and YA page is now going to be rolling content, updating the site with new work every few weeks. We will still have themed issues. The next two issues themes are below.
*Also interested in sneak-peaks into new books coming out, deleted chapters from books, short stories, etc.* Hunger Mountain buys first world serial rights and upon publication, the rights revert back to the contributor. For sneak-peaks, publisher and rights department approval is needed.


May-Sept 2011
The Varying Shades of Shadows
We would love to see pieces that play with light and darkness (figuratively and literally), a fabulous piece with an unreliable narrator (or on the delicate balance of writing an unreliable narrator), or pieces where secondary characters are shaded so well that they not only support the main character but truly help flesh out the work. 

*Please note, I am looking to do more with illustrators and will be debuting a Inside the Illustrator’s Studio column—taking an inside look via photos at a WIP by an illustrator. We are featuring Don Tate in the column premiere.



Sept-December 2011
The Art (and Insanity) of Creativity
We will be looking for pieces to address: tapping in to your inner artist, what we do artistically outside of our writing/illustrating to keep creative, the joys and pitfalls of leading a creative life, can writing be taught?, the elusiveness of artistry, hitting the creative wall and breaking through, the sacrifices (time, sleep, television) we make to get the work done, etc. 

Along with our features, each issue we would like to include one or two essays for our regular columns:


The Flipside—two authors various take on one issue.
This Writer’s Life—essays on and about the writer’s life.
INKlings—essays on and about the illustrator’s life and/or techniques.
In Response—an essay adding to or commenting on the conversation from the prior HM issue.
The Toolbox—craft based essays on a variety of topics.
What My Last Book Taught Me—A short essay on what the author’s last book taught them.
New Work—fiction, poetry, short stories, opening chapters of WIP, etc. 

If you are a published author or have met me in person, you may email content or pitches for essays/articles to me at bahegedus at gmail.com. If you are a yet-to-be published writer, please submit using the Hunger Mountain online submissions manager. See here for details: http://www.hungermtn.org/submit/

Please feel free to share these submission needs with local SCWBIs and/or other writer organizations in your area. Thank you!



Visit the Hunger Mountain Young Adult and Children's Literature Archives.


Interviews





Thank you and I look forward to your submissions!

Wednesday, March 23, 2011

Inside the Writer's Studio with Bettina Restrepo

Today at Inside the Writer's Studio we have with us talented Texas author Bettina Restrepo.
Bettina is here to share about her new book--her first novel, Illegal which has garnered the following rave from Kirkus. "With searing realism, debut author Restrepo describes Nora's anger, desperation and loss of faith... This memorable coming-of-age story will awaken readers to the overlooked struggles of immigrants."

A bit more about Illegal, from the publisher, Katherine Tegen Books:

A promise.
QuinceaÑera.
A promise that we would be together on my fifteenth birthday . . .
Instead, Nora is on a desperate journey far away from home. When her father leaves their beloved Mexico in search of work, Nora stays behind. She fights to make sense of her loss while living in poverty—waiting for her father's return and a better day. When the letters and money stop coming, Nora decides that she and her mother must look for him in Texas. After a frightening experience crossing the border, the two are all alone in a strange place. Now, Nora must find the strength to survive while aching for small comforts: friends, a new school, and her precious quinceaĂ‘era.


Bettina Restrepo's gripping, deeply hopeful debut novel captures the challenges of one girl's unique yet universal immigrant experience.

Now, on to the interview!

How important is community in keeping you inspired? What authors are a part of your virtual and/or hometown community? 

I adore writers and artists of any nature because their hearts are more open to the world around them.  I am part of the class of 2k11. While we are a marketing co-op, these are the people I turn to with my book craziness as they are sitting in the same soup with me.  Because, I had a picture book come out two years ago, Moose and Magpie (Sylvan Dell Publishing, 2009), I had a few more experiences with the publication process.  It’s been nice to pass along my knowledge to other friends who are experiencing angst.  We laugh and cry together – all online.  I plan to physically meet most of them in May 2010 as we get together at Book Expo America in NYC. 

I also have a critique group here in Dallas.  Julie Richie, Sally Lee, and Stephanie Parsley.  Each one of us has different experiences that we write from, whether it is edgy YA or poetic, rhyming picture books.  They are live people that I intimately share my life with in a noisy Einstein’s eating yummy bagels and sipping endless cups of steaming coffee. 
 
When I lived in Houston, I was part of a very special critique group.  Although Joyce Harlow died this fall, she mentored me through the writing process with tea and cookies every Sunday for five years.  Jenny Moss and Mary Ann Hellenhausen  added so much to my world, as friends, and as valuable educators in my writing world.  

Is there a favorite quote you turn to when the rejection blues get to you?

Cynthia Leitich Smith once told me, “It is better to publish well than fast.”  I truly believe if the work was rejected, it wasn’t supposed to be at that publication or wasn’t in the form it needed to be. 


What do you feel is your strength as a craftsperson? How do you turn your weaknesses into strengths?  

My strength has been voice.  I write when I hear the character speaking to me – which is why I work in 1st person. I’m on the right track when the voices of the character WILL NOT leave me alone – even if I beg them to.  

My weakness in writing is grammaticism and distractibility.  Three languages swirled in my house growing up.  Typically, I grabbed any word that I could think of.  I fought with my language art teachers because I felt grammar (diagramming, verb changes, etc) was distracting me from the good stuff – the reading. 

I can’t tell you the rule of why something works; I just hear it and know.  Luckily, I have critique group to help and I revise mercilessly examining every word and how it relates to every sentence. 
Also, I work in short spurts of 1-2 hours.  I have a young son with apraxia who requires a lot of time and attention.  Like any mother, I often feel like I have forty things going at once.  But, this doesn’t allow me to neglect my work.  I just have to pull myself back to whatever I was doing.  Managing several things at once is helpful, because publication mode is quite different than creation mode.  Both require work with completely different parts of yourself and your brain.  

How does “place” come through in your writing? How important is place in this current novel/picture book? Is it tied to a place you once lived or are familiar with or is it a new world entirely?

 In Illegal, the place is real – Houston, Texas.  I worked in the community I wrote about, but it’s not to say I didn’t take liberties with changing a few names of street, apartments or parks.  Houston served as a model from which the character grew and lived, but it could truly be anywhere in the world.

Speak a bit about the importance of dialog? 

I’m a dialogue girl, while one of my critique partners is an exposition girl.  I like to have my characters reacting to the world around them through voice and interaction around them.  But, some writers do it all in the character’s head – me, I just write down what they tell me in their own personal dialogue.  Perhaps it’s the difference between 1st and 3rd person, but each technique has a different result.  Me, I like dialogue.  

I once heard Deb Caletti say when asked how her life has changed since becoming a published author that she feels she is living the life she is meant to live. How has your life changed since you became a published author? Has it? What lessons have you learned that you’d care to share since becoming published?

Personally, I know that your life will NOT change whether you are published or not – it’s how you feel about it.
You will not become thinner, more beautiful, or more significant to the world than you already are.
You will merely have a book on the shelf that you can point to and say “I created that.”
98% of those with one published book won’t even make enough money to earn out their advance.  

But, you can create a work of art that is important to you or your family… maybe even an audience of one.  I think too many people (me, once included) feel like the only way to validate themselves was through publication.  Some stories just aren’t meant for a wide audience – thus, not profitable for a traditional publishing house.  Perhaps it’s only a story to share with friends and family, or a beloved friend. 
We should rejoice in the art of a story well told.  

Writers love books; we love reading. What book do you turn to over and over again and why do you love it?  Bird by Bird by Anne Lamont (Riverhead).   No matter where I am in my life, I feel like she can speak and guide me – whether in publishing or in life.  I like the book’s spiritual side.

Which character of yours do you hope your readers most relate to? And why?

I hope they relate to Mr. Mann.  He is a homeless and mentally ill man in ILLEGAL.  He is a forgotten person.  Invisible.  He is all of us and none of us.  At the core, we have to remember that we are all human deserving dignity.

Be brave. Share a paragraph from a WIP. 

This is a story I personally need to tell – and it scares me to death.  The character wants my attention, but I can’t hear her voice clearly, so I am having trouble with the story.  By sharing it with your readers, I hope to push myself to finish the story. 

Currently Untitled.
It begins with a sucking noise.  Like a vacuum gagging and sputtering on a sock.
You can hear the machine as they start the other girl’s abortions.
“You’ll just feel a small pinch,” the doctor says, his voice sounding far away. The speculum is cold.  I can feel a push on my insides.
The nurse pats my arm as the doctor inserts the aspirator. I don’t feel pain, just a weird tapping pressure.
I want to tense up, but my body is floating from the pill they gave.  I drank it down in a smooth gulp with water from a paper Dixie cup.
“Okay?” he asks, patting me on the shoulder, but I close my eyes as a response.  I just want it done.



In ode to Maebelle, the main character in my new book Truth with a Capital T, who keeps a book of little known facts about just about everything, please share a wacky piece of trivia that has stuck with you or please share a little known fact about YOU.


I went to high school in Wichita Falls, Texas.  When I say this, people think, I know that city, but I don’t remember it.
It’s 2.5 hours northwest of Dallas on the way to Amarillo.  Although it’s a city of 100,000 - people only stop there to pee.  I know, affectionately, call the place “Urination, Texas.” 


Thanks Bettina for being here. Thanks for being brave enough to show some of your wonderful WIP and for being the brave writer behind Illegal.