Showing posts with label Janet Fox. Show all posts
Showing posts with label Janet Fox. Show all posts

Friday, September 9, 2011

Last of The Varying Shade of Shadow issue

This week the Varying Shade of Shadows issue comes to a close with the much anticipated, In Defense of YA, a round up of YA reader and writer voices that comment on the Wall Street Journal pieces by Megan Cox Gurdon that lit up the twittersphere with the creation of #YAsaves in June. By now, much has been written about in reaction to the question Darkness Too Visible? but here at Hunger Mountain we care not only what we writers think, we care about what the readers think. The teen readers. YA is after all for young adults. What they think matters. Thank you to the teens who took time out of their summer vacation plans to lend their voices, their intellect, and their wit to join with YA authors everywhere who tackle darkness, light, and everything in between.
  
 Our issue also closes with a sneak peak into the much anticipated historical novel Jefferson’s Sons by Kimberly Brubaker Bradley, as well as a Toolbox piece, Searching for Truth in History’s Shadows: Finding the Characters in Jefferson’s Sons , also by Kimberly Brubaker Bradley.




Congratulations are also in order for Hunger Mountain Young Adult & Children’s Assistant Editor E. Kristen Morse, who along with Miranda Kenneally, whose popular website DearTeenMe, will now be an anthology, with new and original content, forthcoming from Zest Books in 2012. Since coming on board here at Hunger Mountain Emily’s expertise and enthusiasm is much appreciated. We wish her and Dear Teen Me, the book, every success.

And don’t forget our next issue, The Art & Insanity of Creativity is coming soon. We are still accepting fiction submissions. Please see here, for guidelines.






Earlier content from The Varying Shade of Shadows issue. 


Our industry is not just about the writing but about the illustration as well, from books for the very young to teens and beyond. We at Hunger Mountain are thrilled to champion the illustration and ingenuity that goes on in our field by featuring three sneak-peeks into books that are soon to hit the shelves.  Award-winning illustrator Betsy Lewin offers a snapshot into creating The Little Bitty Bakery by Leslie Muir. This delectable treat will leave you wanting more…look for The Little Bitty Bakery to be released August 30th. Author/illustrator Don Tate takes us into his Austin studio with his piece Toot Toot Tootie Toot: an Illustrator Captures Duke Ellington’s Nutcracker Suite, detailing his choices and art-in-progress for his October release.  And New York Times bestselling author Cynthia Leitich Smith in her piece, Going Graphic, details how she and illustrator Ming Doyle created the visual world for her characters to inhabit, in the eagerly awaited Tantalize: Kieren’s Story.  Fans of the gothic series will not be disappointed.



When, Along with her Characters, an Author Gets In Trouble by Ellen Levine, describes running into a wall of silence with her latest book, In Trouble.  The Monsters in Us All, by Dr. Ilsa J. Bick is a precursor to Hunger Mountain’s In Defense of YA.  We chose to spotlight Ilsa J. Bick’s thoughtful but cutting response  now as she not only disagrees with Megan Cox Gurdon—she also agrees, with certain points, that is. As always, please feel free to weigh in in the comments section of each piece.

For What My Last Book Taught Me, Monika Schröder advises us to Learn to Drive in the Dark as she takes a trip back to discover what her latest novel, My Brother’s Shadow, taught her as a writer.  Lastly, as all the world is a stage, we offer Jest A Minute, which pokes fun at all the dark/light publishing hullabaloo, with a list of Ten Classics Revamped to Capitalize on the Dark  YA Trend (created by none other than moi) and a second list–of Ten New Titles to Please All by author and humorist K. A. Holt.  Read, respond, enjoy!

Also check out This Writer’s Life: The Politics of Story by Neesha Meminger author of Shine, Coconut Moon and Jazz in Love. Neesha explores and argues, with great clarity, how writing fiction is and always will be a political act. In our Industry Insider we host a Q & A with Anita Silvey, author, children’s literature scholar and the creator of the popular Children’s Book-a-Day Almanac.  We also add to our growing list of new fiction with Quarry, a short story by Kevin Waltman that captures the delight and danger in a trip to a forbidden place.

Don’t miss a timely FlipSide, The Light and the Dark of It, highlighting Jennifer Ziegler’s Let There Be Light and Clare Dunkle’s On the Dark Side. Both authors had their pieces well in the works before the June 4th Wall Street Journal article by Meghan Cox Gurdon asked the question: Is Darkness Too Visible?.  Also be sure to check out new fiction: Stone Field, a re-imagining of Wuthering Heights, by Christy Lenzi;  Starcatcher, a unique fantasy by Penny Blublaugh author of Blood & FlowersMonsters, a surprising and raw read by Jennifer Hubbard;  The Proposal, fiction by Lindsey Lane that dives deep into the hiddenness of our human natures and our desires to be both safe and loved.

You can also read earlier features: an exploration of self and sisterhood by Janet Gurtler in Embracing Shadows;  also  In the Half-Light, an essay detailing the shadowy subconscious that aided Hunger Mountain Sneak Peek author Joe Lunievicz in creating his debut novel, Open Wounds (WestSide Books, 2011); the wickedly smart investigation into the use of elision by Janet Fox in The Shadowy Landscape of Dreams Where Reader and Writer Meet. Our Industry Insider Column offers an interview with Elena Mechlin and Joan Slattery in New Faces at Pippin Properties. Be sure to check out the instructive Toolbox piece, Where the Teens Are: 5 Ways to Freshen Up YA Fiction’s Favorite Places from Deborah Halverson, author of the newly released, Writing Young Adult Fiction For Dummies, and the In Response essay to the Passion for the Picture Book special feature by the outstanding author Liz Garton Scanlon.



So, please stop back often.  Read, respond, share your thoughts, delight in the darkness and luxuriate in the light. They both offer respite and reward. Go ahead, see for yourselves.




Best,
Bethany Hegedus, Editor

Monday, May 16, 2011

Hunger Mountain YA & Children's Summer Issue--Varying Shade of Shadows

New content is now LIVE over at Hunger Mountain. This issue we begin rolling out new content every other week. Four fabulous pieces are available now--and a SNEAK PEAK into Open Wounds, a debut novel by Joe Lunievicz  (which just earned a PW starred review) will go live later this week. But join Joe and I tonight for a live author chat at 8pm EST, 7pm CST as part of Reach Out Reads.

 

From my Welcome Letter

Welcome to the summer 2011 issue, The Varying Shades of Shadows. Time stretches in the summer. The days can be filled with activities or slow down to an almost complete stop.  Laughter can bounce across the lake as buoyant as a beach ball or it can become muffled by the heat and the trees and turn melancholy in a matter of minutes. There is a dichotomy in summer, as there is in most everything. We writers love dichotomy—for it is in the exploring of seeming polar opposites that we find the “good stuff”—the betwixt, between-ness of our natures.

From May through September, we will be exploring lightness and darkness and the many shades of grey in between. Beginning this issue, every other week, we will welcome three or four new pieces including additional feature pieces, fiction, craft –essays and interviews. We’ve changed the way we publish our online content to serve our readers’ needs. The Hunger Mountain YA & Children’s Lit section has such meaty content that launching all pieces at the same time didn’t give enough creative digestive time. Hence, our new way of doing things.



Janet Fox
This week The Varying Shades of Shadows welcomes a wickedly smart investigation into the use of elision by Janet Fox in The Shadowy Landscape of Dreams Where Reader and Writer Meet

Deborah Halverson
 We also welcome an instructive Toolbox piece, Where the Teens Are: 5 Ways to Freshen Up YA Fiction’s Favorite Places from Deborah Halverson, author of the newly released, Writing Young Adult Fiction For Dummies.




Liz Garton Scanlon
Our In Response essay to the Passion for the Picture Book special feature  is by the outstanding author Liz Garton Scanlon




Lindsey Lane
Last, but not least, in Fiction we offer The Proposal, a short story by Lindsey Lane which dives deep into the hiddenness of our human natures and our desires to be both safe and loved.


(I spoke about Lindsey's short story cycle in this interview over at Word Crushes, Lovin' The Story, when interviewed in March and am thrilled the piece is now live.)


So, please stop back often.  Read, respond, share your thoughts and delight in the darkness and luxuriate in the light. They both offer respite and reward. Go ahead, see for yourselves.


Best,
Bethany Hegedus, Editor

Please note: submissions are still open for The Art & Insanity of Creativity issue for fall 2011, and we welcome submissions through our Submissions Manager.  Look for 2012 themes to be announced this fall.


AND a big thank you to all those who participated and bid in the Hunger Mountain e-bay critique auction! Thanks to the support of agents Erin Murphy, Ammi-Joan Paquette, Elena Mechlin, Joan Slattery, Jill Corcoran,Emily Van Beek and authors Sara Zarr,  Sara Pennypacker, G. Neri, Janet S. Wong, Holly Cupala, and illustrator Julian Hector.  In total the Kid Lit portion of the auction brought in $6981.50 and the total auction $10,638.49. Funds go to supporting the journal and the artists we publish! Thank you! Thank you for making this auction such a success...and to winning bidders--enjoy the critiques!

Tuesday, January 4, 2011

New Voices...

Morning all, pop on over to Janet Fox's blog, Through the Wardrobe today where she hosts me, as I discuss Ensemble Books. Never heard that term? Me either! Go check it out.

Here's a sneak peak:



“Ensemble pieces,” is a phrase that is most heard when discussing acting.  It could be bandied about when seeing a film, a play or even a sitcom such as Modern Family or a dramedy such as Parenthood. Interesting to note, these are both current popular TV ensembles that are based around families—but there are others. What about the cast of Lost, Mary Tyler Moore, Cheers, and Buffy the Vampire Slayer. All of these have viewpoint main characters (well, except for Lost but most would say Jack is the MC of the show) and still all are considered ensemble shows. Is this because television is somewhat comparable to series fiction? What about stand-alone works?